A BIANNUAL LITERARY MAGAZINE

Adorno’s Rose
Caroline Chavatel
I’ve only fixed the faucet, the leaking:
spicket, mouth, body. It has been quite
some time, it has been quiet, strange
to eye your books careful not to smudge
your penciled bits in the margins.
Truth usually in the margins,
I focus on the text, Sartre.
I am afraid to be smudged, afraid
of smudging, fearing I’ll long for
something, and when I can’t
I will have to admit I was
liable. I don’t want to collect
the cigarette butts from the lawn.
They smell like you, or the essence, no,
existence of you smelled like them, but I
have yet to mow the lawn, the growing:
man, woman, knowledge of man
and woman. I’ll never be sure
of how. I shelf for you,
nail pieces of wood, call myself love,
but I am not real—I owe
my existence to the mind of a man. I have
built you a library ladder and I
desire to stop desiring so goddamn
much. You didn’t come back.
I built you, cure me. I used
to know, when I moved, if I was
closer or farther from you, even
if you weren’t there. Now,
I don’t know if I am, left alone
without excuse.
Caroline Chavatel is a Baltimore native and received her Bachelor of Arts in Creative Writing in December 2015 from Salisbury University. Her poems appear or are forthcoming in Potomac Review, Slipstream, So to Speak, 30 N., and Crab Creek Review. She has led literature groups for inmates at a local prison and enjoys marrying poetry with critical political theory. She plans to pursue a M.F.A. degree in fall 2016. When she’s not writing poems, she's reading theory, French-pressing coffee, or thinking about time travel. She currently lives in Phoenix, Arizona.