A BIANNUAL LITERARY MAGAZINE

How Strange it Is that the Moon Caught Fire
LILY GODERSTAD
I wade through your shower spill, soaked
in I love you. A song you hum always
to the tune of sorry. I tell you
I’m drowning. You think it would
be romantic, so I remind you what
drowning means.
I’ve slept next to hundreds of nights
that were shaped like you, but could
not decide what voice to breathe
through. I will wait here
where cranes fall from our skies
like tired steel arms that realize
no one has an answer to their question.
Ugly Girl Game
A majority of the second grade class was home with a virus, and the most popular girl in school asked me to play at recess. I ignored her reasoning. I didn’t know how to play with pretty girls, waddled beside her as she fluttered about the playground, barely disturbing the gravel beneath her steps. I listened to her tranquil narration, squinting to see how her tongue managed to spoil each word so evenly.
She anchored herself to a wooden bridge, and proclaimed she should be sick as well, and taken home at once. I didn’t want her to leave me. I didn’t want her to prefer illness to me. I told her the nurse would know she was a liar. Her perfect nose twisted upward. “A real reason, then,” she said. “I’ll make myself bleed.” She picked a smooth rock from off the ground, and rubbed at the top of her hand. She started singing to herself: “Tougher, tougher, tougher, every day, every day!” This was not a pretty girl game, I thought, or maybe they play it alone. Maybe that was why she had asked me to play, so she could do something ugly with someone who wouldn’t stop her.
I found a pointed stone to show her the difference between us, began tearing at my hand. She slowed once she saw me, told me I could stop, but I wouldn’t. I started bleeding and she grabbed my palm. Her skin was softer than mine, her hair, her pastel clothes, her posture, all softer. She stared through the mark I made like it was a peephole into a room of mirrors. We walked up to the playground monitor, my wounded hand in her reddened one. The supervisor’s eyes widened to accommodate the dent in her body, the unfair contrast of our arms and hands. “Megan, what has happened?”
She will tell her I did this. She will tell her I forced her. She will say it was my idea, and everyone will believe her. Without letting go, she told her we had fallen. She told her we had fallen together, but that only I was hurt.
Story Telling Itself
It takes so much
longer to fall up
-stairs and you
behind me
could have
done something.
The furniture in
the attic room
slouched under
the cracked ceiling.
It had been made
for a smaller kind
of standing.
Stripped down
in the dirty
river with nothing
better to do.
Compress me
into black and burn.
An experience
that’s not so out
of body where
I can hurt
back body hurt
body back please.
He helped me float
down to the street,
and the lamps
all knew.
The snow came
in fistfuls, threw
waxen blankets
over Toronto and froze
the CN tower
like a taciturn finger
to its lip. What I did
not say that night
turned cancerous.
Again, again
my body grew
sick of story
so localized it was
removed surgically.
Come here, girl.
You sing so beautifully.
I want to make you
feel like a star.
Lily Goderstad was born and raised in Minnesota. She studied playwriting in NYC and received a poetry MFA from The New School. Her work has appeared in Dark Matter Journal, Cowboy Poetry Press, Best of Vine Leaves Literary Journal, The Fourth River, and The Best American Poetry Blog. She lives in Queens, NY.