A BIANNUAL LITERARY MAGAZINE

Longhand
John A. Nieves
I dressed my hands
for a night of dancing, slick
celebration, firelight. They opened,
decked for beckoning,
but met: I fail a little
every time I see you.
But met some shiny non-tear
in the corner of your eye. The buckle-weight,
the years, ribbons, could do little
to support it. Rupture slipped quietly
into the seams, gave our footprints
a ticker tape parade. Why are exits
always one-way? Where do the doors lead
at the end of the hall? My hands, naked
now, press gently together, my intimate
mourning. We march slowly as they worry
about which will push the passage open,
which will cover my eyes. I hear you leave
through an air vent. I know goodbye
will never catch you now, still
one hand grasps as if at a passing
dandelion seed and one hand waves,
its tiny soliloquy performed
after even the sound of the audience
slid past its last tinny echo.
Perpetual Inventory (Things I Have Learned)
How once a month the moon forgets itself,
becomes part of the sky.
How the world viewed from under water
is less distinct, but still the world.
How passion becomes sweat,
then dries into salt.
How thunder and lightning are two parts
of the same phenomenon, but there’s no word for the whole.
How everyone eventually loses
the fight against sleep.
Perpetual Inventory (Things I Must Learn)
How the moon is not
spinning.
How I am not
the moon.
How to stand
is to be on top of something.
How the top of something is
always in the middle of everything.
How you sometimes say
my name in your sleep.
John A. Nieves has poems forthcoming or recently published in journals such as: Southern Review, Pleiades, Crazyhorse, Poetry Northwest, and minnesota review. He won the 2011 Indiana Review Poetry Contest and his first book, Curio (2014), won the Elixir Press Annual Poetry Award Judge’s Prize. He is an Assistant Professor of English at Salisbury University. He received his M.A. from University of South Florida and his Ph.D. from the University of Missouri.