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Anya’s Garden

    Meggie royer

 

 

There was no real evidence for their origin,

their small and elfin bodies,

faint trace of tequila around the ears.

The day we brought them into our home

the whole town was flooded with darkness,

all the men taken to filling the mouths of glass lamps

with honeyed kerosene.

The women did their best to nurse them

back to health, milked until it shone

like drippings of the moon.

Beneath the sky opening like an orange palm

we thought of all the children

buried in garbage chutes

or pressed beneath stones at the bottom

of the river, wailing

as if it could bring down the stars.

Genesis

 

 

When Noah cleaved the water with his ark

he expected the animals to save him.

Once, my mother convinced me a c-section

was just Moses parting women’s inner seas,

that magic thrived in the things

we didn’t know how to name.

It was always breaking something

that undid you.

The coke into lines with the blade,

a heart, the horizon, the yolk.

Back at detox I knew

you wished to find a way back in

to the place she birthed you from,

to stay quiet like a stone

in the belly of an ocean.

We expected you to save yourself too

and in the end it flooded.

Meggie Royer is a writer and photographer from the Midwest who is currently majoring in Psychology at Macalester College. Her poems have previously appeared in Words Dance Magazine, The Harpoon Review, Melancholy Hyperbole, and more. She has won national medals for her poetry and a writing portfolio in the Scholastic Art and Writing Awards, and was the Macalester Honorable Mention recipient of the 2015 Academy of American Poets Student Poetry Prize.

 

© 2017 MILK JOURNAL

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