A BIANNUAL LITERARY MAGAZINE

Anya’s Garden
Meggie royer
There was no real evidence for their origin,
their small and elfin bodies,
faint trace of tequila around the ears.
The day we brought them into our home
the whole town was flooded with darkness,
all the men taken to filling the mouths of glass lamps
with honeyed kerosene.
The women did their best to nurse them
back to health, milked until it shone
like drippings of the moon.
Beneath the sky opening like an orange palm
we thought of all the children
buried in garbage chutes
or pressed beneath stones at the bottom
of the river, wailing
as if it could bring down the stars.
Genesis
When Noah cleaved the water with his ark
he expected the animals to save him.
Once, my mother convinced me a c-section
was just Moses parting women’s inner seas,
that magic thrived in the things
we didn’t know how to name.
It was always breaking something
that undid you.
The coke into lines with the blade,
a heart, the horizon, the yolk.
Back at detox I knew
you wished to find a way back in
to the place she birthed you from,
to stay quiet like a stone
in the belly of an ocean.
We expected you to save yourself too
and in the end it flooded.
Meggie Royer is a writer and photographer from the Midwest who is currently majoring in Psychology at Macalester College. Her poems have previously appeared in Words Dance Magazine, The Harpoon Review, Melancholy Hyperbole, and more. She has won national medals for her poetry and a writing portfolio in the Scholastic Art and Writing Awards, and was the Macalester Honorable Mention recipient of the 2015 Academy of American Poets Student Poetry Prize.